Why We Like It: “The Crow in Effigy: A Flip-Book” by Sarah Minor, and Other Nontraditional Essays
But why choose a flip-book and not, say, the traditional page breaks of a lyric essay?
Read MorePosted by Cincinnati Review | Jan 24, 2019 | Why We Like It
But why choose a flip-book and not, say, the traditional page breaks of a lyric essay?
Read MorePosted by Cincinnati Review | Jan 23, 2019 | miCRo
Faylita Hicks Associate Editor Caitlin Doyle: “Girl 1994: Gawd.” by Faylita Hicks combines...
Read MorePosted by Cincinnati Review | Jan 16, 2019 | miCRo
Associate Editor Caitlin Doyle: Alexandra Teague’s “[It is undone business I speak of, this...
Read MorePosted by Cincinnati Review | Jan 15, 2019 | What We're Reading
Editorial Assistant Chelsea Whitton: “Someone says it is difficult to write poems / that are both...
Read MorePosted by Cincinnati Review | Jan 10, 2019 | Editors' Dispatches
We’re pleased as punch to announce the tenure of our second guest literary nonfiction editor...
Read MorePosted by Cincinnati Review | Jan 9, 2019 | miCRo
Assistant Editor Jess Jelsma Masterton: When working in the micro form, writers often struggle to...
Read MorePosted by Cincinnati Review | Jan 8, 2019 | From our Contributors
After each issue lands in readers’ hands, we encourage our contributors to say a little bit...
Read MorePosted by Cincinnati Review | Dec 19, 2018 | miCRo
[Editors’ note: This post will be our final miCRo for this calendar year. See you in January...
Read MorePosted by Cincinnati Review | Dec 17, 2018 | Deals and Promotions
Just a reminder that you have four more days to take advantage of The Cincinnati Review/Acre Books...
Read MorePosted by Cincinnati Review | Dec 12, 2018 | miCRo
Associate Editor Molly Reid: In Jen Michalski’s lyrical poem-story, precise language...
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