miCRo: “Lighthouse” by Kenneth Tanemura
In “Lighthouse,” work is inextricably linked to place: a place to which the speaker is a newcomer, with no ties to bind them to the landscape.
Read MorePosted by Cincinnati Review | Jan 31, 2024 | miCRo
In “Lighthouse,” work is inextricably linked to place: a place to which the speaker is a newcomer, with no ties to bind them to the landscape.
Read MorePosted by Lisa Ampleman | Jan 26, 2024 | Interviews
Danielle Cadena Deulen on the process of writing her new poetry collection, Desire Museum; MFA programs; the relationship between nonfiction and poetry; and more.
Read MorePosted by Cincinnati Review | Jan 24, 2024 | miCRo
A prose poem with nearly breathless syntax and a subtle build of rhetoric.
Read MorePosted by Holli Carrell | Jan 19, 2024 | Talking Pictures
In her latest film column, Assistant Editor Holli Carrell discusses Goran Stolevski’s film, You Won’t Be Alone, screenwriting, and the use of voiceovers.
Read MorePosted by Cincinnati Review | Jan 17, 2024 | miCRo
Former contributor Nicholas Wong masterfully translates Chen Poyu’s haunting poem.
Read MorePosted by Lisa Ampleman | Jan 11, 2024 | Interviews
John Drury on his new book, The Teller’s Cage, teaching, social media, and more.
Read MorePosted by Cincinnati Review | Jan 10, 2024 | miCRo
Matt Barrett’s story about knife sellers begins with a book being cut down the spine and builds to a meditation on the weight and heft of words.
Read MorePosted by Lisa Ampleman | Jan 8, 2024 | Editors' Dispatches
Get to know more about who is curating the miCRo series and how they do it!
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