If the mind is one of those Piranesi prisons, she said, full of darkly nested architectural redundancies—as we know the human brain is, with its neurons like ropes slung precariously from cell to cell, and interrupted spiral staircases going neither up nor down, and ruined stone lions hinting at some tapestried past when all this …
Begin with knowing the comma is a word and the word is always fuckin’. Forget the gerund, then torque the lazy u into an a, and let the vowel kneel into the roof of your mouth like a penitent against a church pew. Stretch the c into the k, graceful as Astaire in blackface. Now …
Rita came home from the war. The town was not as if she had never left. Some things had changed. The Taco Bell, for instance, was closed, but another had opened on the next street. The Church of the Passionate Blood, with its stained-glass Christ as slim and pale and sweet as a glowworm, had …
Associate Editor Caitlin Doyle: In “Metaphor,” just as the poem’s speaker pushes her body to its furthest reaches through intensive exercise, the poet probes the limitations of language. Nicky Beer spurs us to consider how our bodies and our words, depending on how we use them, can act either as barriers to human connection …
Just in time for the National Book Award ceremony tomorrow, we’d like to share an appreciation for one of the nominees in fiction. Editorial Assistant Matt Morgenstern: It’s difficult to summarize Sigrid Nunez’s The Friend, published earlier this year by Riverhead (and nominated for this year’s National Book Award). Dwight Garner does a good job in the …
We’ve seen writers querying their followers on social media: Where should I send a story about X? A poem about Y? An essay in which I thread both Z and W together? Here’s a little how-to from our staff on how to find good magazines to send your work to. And in honor of one …
We’re ready to bark, howl, chatter, or yip the good news! Winners of the Tenth Annual Robert and Adele Schiff Awards in Poetry and Prose Tori Malcangio for her story “See What I Mean” (chosen by Michael Griffith) Maggie Millner for her poem “Cherry Valley” (chosen by Rebecca Lindenberg) Thank you …
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