stares down head and claw on the tableto make something whole again. Perhaps she’s unnerved by the prospect, deathback to life. But that we crave not just intact but true is the first wish as whenan old mount from the ’30s is taken out of the standard formal pose-of-that-day, itsupright-for-eternity habit of ninety years, its …
At dinner that night, Lo chops off her boyfriend’s head. He’s explaining again, holding forth about how she just has a better eye for cleaning than he does, it’s a compliment to her that she even notices when something’s out of place, he wishes he could be as detail oriented as her—and she slinks into …
In Amy Chen’s essay “Knowing,” innocence and family secrets come together to create a profound change in the speaker and her understanding of her world.
One way to make inspiration visible outside the poems written for a particular project is to visually map connections between sources–how does what you’re reading form an ecosystem?
In this piece, as the text notches inward through the use of indentations, mimicking a scaffold, the boundary between inside and outside starts to break down…
An interview with Diamond Forde about Mother Body, her debut collection of poems. From reviewer Marianne Chan: “These poems—with brilliant images and startling musicality—resist erasure and destruction…”
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