Assistant Editor Kate Jayroe: Imagine that you’re writing a short story or novel. In drafting a scene, are you seeing your intentions play out much like a film? A miniseries? A prestige television show? Dramatic moments might appear in slow motion, a soundtrack might kick in at a pivotal moment, and a popular actor could …
Chet’la Sebree on her book-length prose poem, FIELD STUDY; writing persona poems through the archive; experiential research; her forthcoming essay collection; and more.
In her latest film column, Assistant Editor Holli Carrell discusses Goran Stolevski’s film, You Won’t Be Alone, screenwriting, and the use of voiceovers.
What makes second-person narration so compelling? What makes it so polarizing? In this essay, Jen Michalski reflects on the magnetic pull of “you.”
Working across genres can be intimidating for those who write and publish in mostly one genre. Cindy Juyoung Ok, SJ Sindu, Philip Metres, and Kathryn Nuernberger share insights.
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