In the prose poem “34D,” Dorothy Chan uses a number and a letter to conjure up particular images that the poem both mentions and undercuts, in a statement about the poetics of sex.
In two pieces that feature mothers with dementia, Beth Ann Fennelly shows us again why her work is central to contemporary enthusiasm for the form of the microessay.
Our History Since its inception in 2003, The Cincinnati Review has published many promising new and emerging writers as well as Pulitzer Prize winners and Guggenheim and MacArthur fellows. Poetry and prose from our pages have been selected to appear in the annual anthologies Best American Essays, Best American Fantasy, Best American Mystery Stories, Best …
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