Exciting stuff happening here—not just with the mag but with the lovely staff members who are shepherding the work you good people are sending our way. Assistant Ed. Jose Angel Araguz, for example, is on the cusp of releasing a new collection, Everything We Think We Hear. In his words, the volume “brings the prose …
Our winter issue has arrived! We’re busy stuffing, taping, stamping, and hauling boxes to the mail room. In addition to fiction by Michael Byers, Wendy Rawlings, and Nicholas Montemarano, not to mention poetry by Carl Phillips, MRB Chelko, and Rebecca Hazelton—as well as two primo pieces of creative nonfiction—we’re running another crossword by fiction …
Samantha Edmonds: When I offered to write a review of Jenny Offill’s novel Department of Speculation, what I really wanted to do was open up a forum to gush. It’s not every day I find a book that I don’t simply enjoy or even admire, but that moves something within me, as a reader, as …
Thanks to the scads of readers who contributed to our Cento Contest! Actually, there were only two of you—but your centos delighted us—so much that we’re adding a full year to both your CR subscriptions. Same holds true for anyone who offers us a cento using lines from CR 12.1 by the end of the …
Rochelle Hurt: The cento is a collage form in which a poem is composed entirely of lines from other poems. It can be an homage to the originals, a subversive twist, or just a fun game. Contemporary examples of the form include “The Dong with the Luminous Nose” by John Ashbery and “Wolf Cento” by …
Musings by José Angel Araguz Episode 2: Astrology (Pisces) In “What You Should Know to Be a Poet,” Gary Snyder lists what he feels to be some indispensable resources and skills for poets, including: your own six senses, with a watchful elegant mind. at least one kind of traditional magic: divination, astrology, the book of …
Samantha Edmonds: Voice is something one tends to hear a lot about when discussing fiction writing—“Oh, this has a great voice!” or “The voice of this piece really compelled me.” Those of us who teach may encourage our undergraduates to make better use of it—“Let your character’s voice drive the story.” But what exactly does …
It’s our pleasure to present another edition of Peteroy’s Irrelevant Questions for Relevant Writers, a blog feature in which Associate Editor Don Peteroy lobs a bit (or a lot) of ludicrousness, like a great white written spitball, at an author he admires, and the author bobs and weaves to avoid taking the sodden mass in …
Seamus Heaney’s famous poem “Digging” provides a well-loved metaphor for the writing process: pen as spade, the past as soil. “Between my finger and my thumb,” he writes, “The squat pen rests./I’ll dig with it.” In discussing their work from our upcoming winter issue (due late November), several contributors similarly explain their process as a …
It’s Celebrate Our Readers day. Not the readers of our journal (though we are ever so grateful for you), but the diligent and conscientious behind-the-scenes readers of the six thousand plus (and rising!) submissions we receive each year. These intelligent and dedicated humans, who are just as busy as you are and receive no payment for …
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