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We’re happy to be able to share this video version of Debra Ramsay’s artist’s statement, explaining her approach to the craft and her inspirations.

A series of clips from David Lazar to accompany his essay on Oscar Levant in our latest issue.

In playwright Tanya Everett’s A Dead Black Man, Everett gives voice to the idea of the dead black man, making him an essential character in the play. Thoroughly impressed and moved by Everett’s work, I’m grateful I had the opportunity to interview her in late May for The Cincinnati Review:

Whether you’re new to submitting to literary journals or you’re a seasoned submitter, it’s always nice to have a refresher on how to professionalize your submission.

When The Cincinnati Review printed its first issue sixteen years ago, we included a list of prominent poets and writers who graciously agreed to be part of our advisory board. Among them: Eavan Boland, whom we join the rest of the literary world in remembering now, at the news of her death.

When I learned that I could donate my time as a volunteer reader for The Cincinnati Review, I jumped at the opportunity. But how was I going to bridge the two worlds and succeed in my new role? Would my love of reading be enough?

After a series of agonizing decisions, we’re pleased to announce our two nominations for Best New Poets this year.