Writers’ Day Jobs: Martin Ott
Martin Ott explains why being a technical project manager is the perfect job for a writer.
Martin Ott explains why being a technical project manager is the perfect job for a writer.
Drama Editor Brant Russell interviews playwright Ruth Tang, in a spreadsheet
It’s officially summer, which means we’re accepting submissions to the Robert and Adele Schiff Awards!
Fiction writer Jenn Scott shares her perspective on the craft of being a server in the restaurant industry: “I love juggling nine thousand things at once and smoothing over potential catastrophes.”
Assistant Editor Taylor Byas interviews Matt Mitchell about his debut collection, The Neon Hollywood Cowboy, in which Mitchell “spins us a record, songs of longing and love crooning from grainy speakers.”
“Hotshot” closes with the realization that sometimes a fire gets too hot and high for anything else to stop it. These final lines can also serve as a metaphor for addiction—sometimes the fire of it can only be put out with more fire…
Our contributor Joanna Pearson, psychiatrist and fiction writer, on how her day job relates to her writing life.
Up next in the Writers’ Day Jobs series, Yxta Maya Murray, a novelist, art critic, playwright, and law professor.
One way to make inspiration visible outside the poems written for a particular project is to visually map connections between sources–how does what you’re reading form an ecosystem?
The first in a new series of features on writers’ day jobs.
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