Proofs for our winter number are due tomorrow, so we must consider ourselves officially immersed in the new term, caught in the craw of the here and now. No more riding on summer’s shimmering coattails, no more lingering (and especially no malingering) in the liminal . . . Well, maybe just one more itty bitty …
We’re back in action here at the office. Actually, we’ve been back since Monday, but this is the first chance we’ve had to say hey. Our reading period began August 15, and already we’ve received upwards of 600 submissions. We’ve been reading like mad—not to mention welcoming a new slew of volunteers and showing two …
Michael Griffith: Congratulations to our puzzle contest winners, Stephanie La Francofille (with help from C.) and Vivian D., both of whom have earned either a year’s subscription to CR or a year’s extension. And thanks to all of you who tackled these tricky puzzles (and, again, to Dylan Hicks and Paris Review for their trailblazing …
Michael Griffith: Last month Chris Bachelder, may he be thanked and damned, sent me down a rabbit hole by introducing me to Hink Pinks. Chris passed along a most excellent and amusing feature on The Paris Review’s website, a series of nimble and often diabolically difficult examples by Dylan Hicks. I recommend those puzzles highly, …
For just one more week, The Cincinnati Review will be accepting entries for the 2016 Robert and Adele Schiff Awards in Poetry and Prose. One poem and one prose piece (fiction or creative nonfiction) will be chosen for publication in our 2017 prize issue, and the two winners will each receive $1,000.The entry fee of …
It’s that time again! We are officially accepting entries for our summer contest—the Robert and Adele Schiff Awards in Poetry and Prose. The purse is a cool grand for each winning piece. AND in honor of her namesake, Adele has agreed to sing at our celebratory backyard BBQ for the winners. (Not really, but you …
Don Bogen: With its score for alto flute, bass clarinet, viola, cello, piano, percussion, and soprano, David Clay Mettens’s setting of Mary Kaiser’s “He Dreams a Mother” in our Summer 2016 issue (just released) is one of the most intricate and haunting pieces in our series of art songs. It’s also the first for which …
13.1 is here! We just shipped the last, lovely issue, so if you’re a subscriber, expect . . . the expected. Hope you enjoy the wonderful work therein by the likes of Steven Sherrill, Cary Holladay, Dan Bellm, Barbara Hamby, Ricardo Pau-Llosa, Beth Ann Fennelly, Brock Clarke, and other literary, er, leviathans? No. Lemurs? No. …
Julialicia Case: I’m not much of a baseball person, or even a sports person, so when I came across Dave Mondy’s essay “And We’ll See You Tomorrow Night,” I did not expect to be swept away. After all, the piece focuses on the “Best Baseball Game,” a twelve-inning matchup between the Minnesota Twins and the Boston …
Molly Reid: Lately, I’ve been interested in the way I—and perhaps other non-poets—read poetry. How might a fiction writer look at a poem differently than a poet? What do I seek in a good story, and how might that translate to a poem? (Do I need some kind of narrative arc? Lovely language? Image? Surprise?) …
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