First, the announcement: The doors are open! Our Submission Manager is set once again for you to send us your submissions. As we noted in a blog post last week, we’ve altered our reading period to account for a backlog; we’ll now be accepting your stories, essays, and poems from September 1 through March …
Associate Editor James Ellenberger: For the past month I’ve been reading poetry submissions for the Robert and Adele Schiff Awards here at The Cincinnati Review. There have been some interesting patterns so far, particularly on the level of shared terminology. It isn’t unusual to read multiple poems in a single sitting about the same topic—the …
We’ve got some good news and some bad news: Submissions to The Cincinnati Review are up, which is great. The staff is the same size, which is good. But our response times are slower, which is terrifically upsetting to everyone, especially us. Something’s gotta give. And we’ve decided to make that unlucky something . . …
Poetry Editor Don Bogen: As I mentioned when we published the score of Carrie Magin’s setting of Todd Hearon’s poem “Mnemosyne” in our Winter 2017 issue, this particular commission brings our series of art songs full circle, since the project began four years earlier in a course on music and poetry Carrie taught at the …
In Issue 14.1, we featured a stunning poem by Jessica Ankeny, “Albuquerque.” To accompany the text of the poem, we’re pleased to present this multimedia experience, with Ankeny reading the poem and some photos of images from it. Cotton seeds: A New Mexico sunset: The “old volcanoes”:
We are thrilled to announce that we have e-book versions available for sale for The Cincinnati Review‘s two most recent issues—13.2 and 14.1! We’re especially happy about that because Issue 13.2 sold out and is now unavailable for sale in print. Buy a copy of either in our online store. We plan to keep digitizing …
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