When the speaker discovers that “wisdom teeth” in English translates to “love teeth” in Korean, the poem unspools into a stunning reflection on false translation and the gap between culture and identity.
Beyond the pleasure and surprise of such a fresh occasion for poetry, “Music Indoors” makes exemplary use of lush, atmospheric imagery and a slow, lingering pace to cultivate a kind of sun-drenched, Debussy-soundtracked pocket world…
Making a case for what he terms “liquid poetics,” Hayes suggests that great art comes from the ability to stay loose, to change tacks, to shape shift in response to these shifting, mysterious factors. Hayes’ sustained emphasis on personal poetics as both liquid and descendant creates a way for his readers (colleagues, family, fans) to find themselves within the fluctuating matrix he proposes.
This sensuous, image-rich poem engages with the pleasures of driving down back roads, as it marvels at the passage of time and the body’s relationship to the landscape that shapes it.
Managing Editor Lisa Ampleman: This poem starts off deceptively simply, with a description of rooms and circumstances—a clean fridge, “intact” window blinds, and money in the bank.
Alison Carey: The opening act of Dan O’Brien’s latest play, Newtown, is heartbreaking and nauseating: Nancy Lanza is speaking to her son, Adam, the night before he kills her and then twenty-six children and staff at Connecticut’s Sandy Hook Elementary School…
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