Tag: Jess Jelsma Masterton
The Editor-Author Relationship
Posted by Cincinnati Review | Jan 24, 2020 | Editors' Dispatches | 0
Trends and Tips: How to Take and Choose an Author ...
Posted by Cincinnati Review | Apr 8, 2019 | Submission Trends and Tips | 0
Trends and Tips: Our Award-Winning miCRo Series
Posted by Cincinnati Review | Feb 22, 2019 | Submission Trends and Tips | 0
Why We Like It: “The Crow in Effigy: A Flip-...
Posted by Cincinnati Review | Jan 24, 2019 | Why We Like It | 0
Trends and Tips: Writing Women
Posted by Cincinnati Review | Nov 1, 2018 | Submission Trends and Tips | 0
On the Power of Radical Transparency: Jess Jelsma Masterton on Jeannie Vanasco’s Things We Didn’t Talk About When I was a Girl
by Cincinnati Review | Oct 13, 2021 | Samples | 0
We are pleased to share this review by Jess Jelsma Masterton of Jeannie Vanasco’s Things We Didn’t...
Read MoreFull Review Feature on Art and Activism
by Cincinnati Review | Oct 13, 2021 | Samples | 0
We are pleased to share the entire review feature from Issue 18.1 on art and activism, including...
Read MoremiCRo: “Some Meaning—” by Leonora Desar
by Cincinnati Review | Apr 15, 2020 | miCRo | 0
In “Some Meaning—,” Leonora Desar tackles this conundrum, bringing both the hollowness and everything-ness of “meaning” into sharp focus.
Read MoremiCRo: “There Aren’t Many Predators in the Aquarium” by Emily Weber
by Cincinnati Review | Feb 26, 2020 | miCRo | 1
In “There Aren’t Many Predators in the Aquarium” Emily Weber pushes the central conflict to the periphery of both the scene and the narration.
Read MoreLeonard Cohen, a Greek Island, and Entering the Story
by Cincinnati Review | Feb 13, 2020 | From our Contributors | 0
If we weren’t adults, we would call this phenomenon “play.” Maybe we should call it that again.
Read MoremiCRo: “Hemiboreal” by Elsa Nekola
by Cincinnati Review | Feb 5, 2020 | miCRo | 1
In “Hemiboreal” Elsa Nekola draws on setting to power the story, imbuing the narrative with energy and meaning.
Read MoreThe Editor-Author Relationship
by Cincinnati Review | Jan 24, 2020 | Editors' Dispatches | 0
“I often describe the role of editor as similar to that of midwife—we’re helping something come into the world, but it will not be our baby.”
Read MoremiCRo: “Classic Length” by Lindsay Reeve
by Cincinnati Review | May 22, 2019 | miCRo | 0
The narrator wants us to look at her hair, at its future length and sheen, but her revelation about an old friend points us to a far darker theme.
Read MoremiCRo: “trusting the birds” by Uma Menon
by Cincinnati Review | May 8, 2019 | miCRo | 0
Something monumental has shifted in the speaker by the poem’s end, but the images and meaning remain ephemeral: “the cloth will make/for good nesting material.”
Read MoremiCRo: “Artifacts I” by Alyse Knorr
by Cincinnati Review | Apr 24, 2019 | miCRo | 0
In Alyse Knorr’s “Artifacts I,” white space serves many dual purposes that may, at first, seem contradictory.
Read MoremiCRo: from “What I Want in a Sister Wife” by Christen Noel Kauffman
by Cincinnati Review | Apr 17, 2019 | miCRo | 0
In this excerpt from “What I Want In a Sister Wife,” Christen Noel Kauffman defies expectation on the level of the line, image, and content.
Read MoreTrends and Tips: How to Take and Choose an Author Photo
by Cincinnati Review | Apr 8, 2019 | Submission Trends and Tips | 0
At one time or another, most authors will need a head shot. You could be publishing a piece with an online venue, building your author website, providing a photo to an organization that has recently awarded you a prize or a residency—you name it!
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