In this masterful microessay that blends experience and surrealism (as well as a Q & A), Heather Lanier explores the experience of an applicant on the academic job market.
In the prose poem “34D,” Dorothy Chan uses a number and a letter to conjure up particular images that the poem both mentions and undercuts, in a statement about the poetics of sex.
In two pieces that feature mothers with dementia, Beth Ann Fennelly shows us again why her work is central to contemporary enthusiasm for the form of the microessay.
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