miCRo: “Snapper” by Nicholas Mainieri
In Nicholas Mainieri’s lean, lyrical story, a fishing trip between a boy and his father offers startling revelations about our place in the world and truths that run deeper than language.
miCRo: “Snapper” by Nicholas Mainieri
In Nicholas Mainieri’s lean, lyrical story, a fishing trip between a boy and his father offers startling revelations about our place in the world and truths that run deeper than language.
miCRo: “The Taegukgi on a Bus Ride from Apgujeong to Gyeongnidan” by Soleil David
In Soleil David’s poem “The Taegukgi on a Bus Ride from Apgujeong to Gyeongnidan” a flag caught on a side mirror inspires questions about devotion and belonging.
miCRo: “Homesick Sonnet” by Steven Espada Dawson
Steven Espada Dawson’s sonnet about the Los Angeles area creates a compelling scene about the complexity of the lost Eden.
miCRo: “Superjap” by KJ Nakazawa-Kern
In the short, clipped sentences and fragments of “Superjap,” KJ Nakazawa-Kern narrates an uncle and nephew’s trip to Japan.
miCRo: “During the Cretaceous Our Country Was Divided for Sixty Million Years” by Martha Silano
In an era of political division, this imaginative poem by Martha Silano details a literal division of the US back in the Cretaceous period.
miCRo: “34D” by Dorothy Chan
In the prose poem “34D,” Dorothy Chan uses a number and a letter to conjure up particular images that the poem both mentions and undercuts, in a statement about the poetics of sex.
miCRo: “Anna Walinska” by Arthur Kayzakian
Arthur Kayzakian’s compact ekphrastic prose poem “Anna Walinska” navigates big-picture questions of art and consumption.
miCRo: “Magdalene” and “Easter” by Sonja Livingston
Two essays that grapple with the place of women in history, specifically an enslaved Native ancestor and a prehistoric “greatest grandmother.”
miCRo: “Santa Maria” by Natalie Yap
Natalie Yap’s story “Santa Maria” asks us to consider the unconventional ways we let go of life and each other.
miCRo: “Lori Cornelius” and “The Trespass” by Beth Ann Fennelly
In two pieces that feature mothers with dementia, Beth Ann Fennelly shows us again why her work is central to contemporary enthusiasm for the form of the microessay.
miCRo: “For All These Traces” by Anna Cabe
In Anna Cabe’s “For All These Traces,” the superfan of an unnamed K-pop boy band breaks and enters her idols’ hotel suite.
