Sea Moss Spotlight: Bots
If, after all, we’re not going to consider generated text and images as “expression,” then why have procedures for citing them?
If, after all, we’re not going to consider generated text and images as “expression,” then why have procedures for citing them?
A roundup of romantic miCRos for Valentine’s Day
The more I consider craft, the more I think we’re studying how to identify and harness wondrous paradoxes of creativity.
Editorial Assistant Arah Ko on the ethics and craft of erasure poetry.
CD Eskilson, poet and communications manager, on their day job
How does a literary journal shape a web presence that’s both accessible and pleasurable to use, without breaking the bank?
Cincinnati writer Richard Hague on a local landmark and its connections to his experiences reading a poem closely and personally.
A craft exercise about how to understand character through plot and vice versa
A poem that traverses nearly two millennia of African queens, in stanzas that overlap seamlessly
Poet Robert Thomas reads two sections of his sonnet crown published in Issue 21.2.
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