On Our Copyediting Practices
Our process for copyediting pieces accepted for the magazine.
Our process for copyediting pieces accepted for the magazine.
Robert and Adele Schiff Award winner Erika Gallion Velasquez shares a playlist to accompany her prize-winning essay.
A poem that brings together a spoken monologue, an enactment of the kinds of listening that can happen, and incredible wordplay.
Our latest special feature, a poem by Kimberly Reyes about natural interdependence, the physicality of intimacy, and cicadas.
In this folio to accompany issue 22.1, five writers explore family secrets.
Jaye Kranz shares this haunting excerpt of her poem, that takes us on journeys through email exchanges and ASCII landscapes that feel both déjà vu-like and oddly tranquil.
We recently reached a milestone: I handed our web design prototypes over to our developer.
What copyediting is and isn’t, based on our managing editor’s experience
Collaborating on the editorial level brought me back to what this is all about: community. We’re gathering work that we want to celebrate with readers.
Both gaming and writing are practices in which past behavior is not the best predictor of future results.
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