A Conversation with Mariah Rigg
“Some writers are interested in character, some in place or plot, but I’m most interested in relationships.”
“Some writers are interested in character, some in place or plot, but I’m most interested in relationships.”
Alice McCormick, a writer and small animal veterinarian.
A book isn’t just words tossed into the ether. The choices made around how to contain those words matter, too. The artistic intent stretches beyond the ephemeral.
A flash story is the perfect size to enjoy with your morning cup of coffee—instead of, y’know, beginning the doomscroll that will carry you (read: me) through to lunchtime.
Contributor Natalie Villacorta teaches us how to use the act of letting go to make better writing.
Mialise Carney reviews Sour Cherry by Natalia Theodoridou, a reimagining of Bluebeard stories
Do you find yourself, at the end of the year, feeling quite Janus-like? Simultaneously reviewing the past while looking forward to the future? I certainly do.
In this folio to accompany issue 22.2, five writers explore elements of horror.
Assistant Editor Blessing Christopher: V. Hansmann opened Prospect Street Writers House three years ago. The residency now occupies a spot that was once a derelict nursing home. In September, I traveled to North Bennington, Vermont, for my annual retreat at the center. Every night, while gathered around the dining table, I would talk to V …
Associate Editor Andy Sia on eerie and liminal spaces.
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