Editorial Assistant Chelsea Whitton: “Someone says it is difficult to write poems / that are both domestic and ambitious,” writes Victoria Chang in Barbie Chang (Copper Canyon, 2017), her fourth collection. This book rejects the implication that domestic poems—work about childbearing and rearing, about caring for one’s aging parents, about social anxiety and the link …
We’re pleased as punch to announce the tenure of our second guest literary nonfiction editor this year (Literary Nonfiction Editor Kristen Iversen was awarded a Taft Center Fellowship for the 2018–19 academic year and is on sabbatical). Starting this week, through mid-June, Lee Martin will read submitted essays and curate our literary nonfiction section for …
Assistant Editor Jess Jelsma Masterton: When working in the micro form, writers often struggle to distill a single scene or experience into a 500-word-or-less narrative. How does one establish a beginning, middle, and end while also including the backstory or exposition necessary to pull an emotional punch? In his micro essay “The Flipping Years,” Kent …
After each issue lands in readers’ hands, we encourage our contributors to say a little bit on our blog about their work. For issue 15.2, our first such post comes from poet Rose McLarney, who worked with artist Gary Hawkins on a broadside of her poem “Old Road” from our pages, as described below: Rose …
[Editors’ note: This post will be our final miCRo for this calendar year. See you in January 2019!] Associate Editor Caitlin Doyle: In “Invocation,” Miriam Bird Greenberg invites us to consider language’s sonic sorcery as both a portal to and extension of the natural world. Gesturing toward Denise Levertov’s poem of the same name, …
Just a reminder that you have four more days to take advantage of The Cincinnati Review/Acre Books holiday pack! For only $20, you get a one-year subscription to the CR, plus one of two Acre Books titles (your pick): The Strange and True Tale of Horace Wells, Surgeon Dentist: A Novel, by Michael Downs or …
Associate Editor Molly Reid: In Jen Michalski’s lyrical poem-story, precise language delivers a fragmented, image-driven narrative that mines the space both on the page and surrounding the missing: “False starts: a wallet in the weeds, corpse-like shadows in coves where waves hackle through the water, bite the sand, and lurch away. Security footage, grainy …
Editorial Assistant Afsheen Farhadi: In issue 15.2‘s “Gil Butsen Ford,” Steve Amick dramatizes the logic of advertising—the promise to deliver happiness as balm for the consumer’s deepest pain. This is found in the language of advertisements, which often use words like love, kindness, family, words out of place, too weighty and meaningful for the exchange …
Assistant Editor Jess Jelsma Masterton: When reading through miCRo submissions, I always find myself drawn to stories that blur boundaries; boundaries of form, genre, time—you name it! In “City Magic,” Julie C. Day introduces us to a protagonist who straddles place, time, and reality. Pamela is stuck between the forest and the city, the …
As the days get shorter and the weather gloomier, we’re staying upbeat with cute animal photos and copious amounts of caffeine, and by reading through our past issues to select nominations for the 2020 Pushcart Prize anthology and for Best Microfiction 2018. The final decisions weren’t easy. We’ve published so many amazing voices over …
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