“Origins” by Kelly Fig Smith weaves together issues of identity, history, and the body to form a complicated and compelling picture of family and motherhood.
“Those Statues of Old,” contextualized by the 1897 massacre and looting of Benin City by the British, is a simultaneously expansive and intimate meditation on the possibilities and impossibilities of poems to speak to the dead
Drama Editor Brant Russell interviews Beth Hyland about genre considerations in her play All-One! The Dr. Bronner Play and about the future of theater.
In Alina Stefanescu’s “Why One Cloud Is Kin to Not Liking,” a deft observation of a cloud’s “power of chilling” follows a list of reasons why the speaker’s in-laws don’t like her.
I could go on and on about Kirschenbaum’s striking (ha) images, characterization, and humor, but what really made this story stand out to me was its powerful use of second person point-of-view.
1 Get a job at the local bowling alley when your mom starts drinking again. Take whatever position they are willing to give you. You will be fifteen years old with no experience, three-fifths of a mustache, and the charisma of a dried pickle, so your only offer’ll be to man concessions for what you …