Editorial Assistant Haley Crigger interviews Danielle Evans about Evans about the project of The Office of Historical Corrections, the role of risk and humor in fiction, and affirming Blackness in narrative.
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An interview with Daniella Badra: “I wrote almost three hundred contrapuntals just with my sister. That’s all I wrote, almost every day, because I was obsessed and I was grief-ridden.”
We here at The Cincinnati Review are thrilled to showcase an exciting new collaboration with Reading and Drinking: A Cocktail Blog!
We’re thrilled to share our nominations for this year’s Pushcart Prize Anthology, Best Microfiction, and Best Small Fictions.
In “Master’s Mirror,” Steinorth reminds us that the purpose of erasure poetry isn’t to erase, but the opposite—it is to reveal what has already been obscured.
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