Cincinnati Review

Pas de Deux: Parry & Leegant

Welcome to the adagio movement of our Pas de Deux between fiction writers and 11.1 contributors Leslie Parry and Joan Leegant. Read on to witness these virtuosos pirouetting around such topics as adapting fairy tale motifs in contemporary literature, the advantages of dramatic action in short fiction, and (a nod to Black Friday) the dangers …

Pas de Deux: Leegant & Parry

Welcome back to another dynamic performance of our double-interview feature Pax de Deux, this time between fiction writers and 11.1 contributors Joan Leegant and Leslie Parry (about whose story “Vogelsong” Brenda Peynado wrote a glowing appreciation last week). Scroll down to view the entrée of this two-part duet, in which the dancers brisé across such …

The Voice: CR-style

We’ve just finished proofing the winter issue, which boasts—in addition to the usual singing signatures—a hundred extra pages. It’s the first of two issues devoted to long forms (thanks, NEA!), which of course makes it special, but what struck us most when reading over this winter’s ample offerings was their range—an especially appropriate word as …

The Making of MOTH, Part 3

The Making of MOTH, Part 3

Illustrator Gabe Ostley, in collaboration with playwright Declan Greene, has made us a tenth-birthday present, and we’re sharing it, free with our next issue, with all of our subscribers. Check out Ostley’s process in hyper-speed below.

Why We Like It: “Vogelsong” by Leslie Parry

A self-proclaimed tech-geek and amateur dog-trainer, new volunteer and first-year PhD student in fiction Brenda Peynado has a talent for incorporating her disparate interests into conversations at the CR office. A discussion about the midterm elections or streamlining our contact database can lead Brenda into an analysis of the male catcall in the Dominican Republic …

Pas de Deux: Phillips & Snider

And now for Part Deux of the exchange between Carl Phillips—on his poem “Hold Tight”—and Bruce Snider—on “Creation Myth”—both published in CR 11.1. Happy reading! Carl Phillips: Your poem works largely by juxtaposition, the largeness of an Indiana dusk, next to the specificity of Aunt Bev’s crocheted oven mitt, moths beside meth labs, a lynching …

The Making of MOTH, Part 2

The Making of MOTH, Part 2

Comic artiste Gabe Ostley is back with another behind-the-panels look at our upcoming graphic play, Moth. Remember—if you’re a subscriber, we’re simply going to mail it to you with our winter issue. No additional moolah required!

Sun icon Moon icon Search icon Menu icon User profile icon User profile icon Bookmark icon Play icon Share icon Email icon Facebook icon Twitter icon Instagram icon Bluesky icon CR Logo Footer CR Logo Topnav Caret Right icon Caret Left icon Close icon

You don't have credit card details available. You will be redirected to update payment method page. Click OK to continue.