We are pleased to share this craft essay by Frankie Y. Bailey on writing crime fiction, which appeared in Issue 19.1 as part of a special multigenre review and essay feature on the ethics and craft of crime writing (read the entire feature here): As a PhD in criminal justice, I do qualitative research focusing …
We are pleased to share this review by Tod Goldberg about Elmore Leonard’s rules for writing fiction, as evident in his novel Out of Sight (Delacorte, 1996). The essay appeared in Issue 19.1 as part of a special multigenre review and essay feature on the ethics and craft of crime writing (read the entire feature …
We are pleased to share this review by Destiny O. Birdsong about an episode of Fatal Attraction, which appeared in Issue 19.1 as part of a special multigenre review and essay feature on the ethics and craft of crime writing (read the entire feature here): Fatal Attraction. Season 7, episode 15. “Wrong Turn.” Chad Cunningham, …
We are pleased to share the entire review feature from Issue 19.1 on the ethics and craft of crime writing, including the following pieces: (To use the PDF embedder to see additional pages, use the arrows on the bottom left-hand side.)
(To use the PDF embedder to see all pages of the poem, use the arrows on the bottom left-hand side.) See more poems from Issue 19.1 by purchasing a copy in our online store. Digital copies only $5.
(To use the PDF embedder to see all pages of both poems, use the arrows on the bottom left-hand side.) See more poems from Issue 19.1 by purchasing a copy in our online store. Digital copies only $5.
was always our tax status. There’s no lovein money. Sometimes there’s no love in love.Sometimes love is a fish-gillslit in your heart through which you learnto breathe. That’s how it was.When I found the long silver hooksof another woman’s earringsin his bathroom drawer, I raisedan eyebrow. I said, “Oh.” Sometimesa waterspout rises from the lake …
grandma unfolds her dress, & 1967 patternsinto life, its story mapped in provinces, infamilies splayed naked on a dusking weave. The dressis handsewn, seaming bound by restitching. Lilac & rhubarbthreads haphazard & layer threefold along the waistlike fingers of smoke. Mesmerizing, because a dying fireis a spectacle. The dress of a hometown documentingevery small violence. …
title from Hippocrates, translated by David Hayden Camden my body wants a babydespite the circumstances, the ramen at the kitchen sink at midnight,the bargain-bin fruit, jelly-soft and splitting, the amex too sharpat the register, drawing blood.the whole world is having a baby. my cousin is having a baby, any day now, gray and grainy on …
I am playing the role of a little old lady, pleasantly plump and talkative, telling her life story, says Agnès Varda as she guides us through her memories, reflecting on her life as an artist and filmmaker, with beaches as the connective thread. Memories like these compose an identity, make life understood. The North Sea …
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