Ants push god aside, emerging from their many tunnelsin what we term a “colony” while they don’t—taking umbrage,though having the grace to keep to their purpose, concomitantwith god emergent manifold and compelled across interlinkedtunnels with those mouths out of a constellation of gravel. Over the hill, many different ant IDs cross lines of forage,and traces …
It is winter butthe poets are still coming.I once lived in atown where there were no poetsor children. The treeswere made of salt. When the windshook, nothing happenedbut daylight. There were no handssince there was nothing to take.
We are pleased to share this review by José Angel Araguz of Canisia Lubrin’s The Dyzgraphxst (McClelland & Stewart, 2020), which appeared in Issue 18.1 as part of a special multigenre review feature on art and activism (read the entire feature here). (To use the PDF embedder to see additional pages, use the arrows on …
We are pleased to share this review by Jess Jelsma Masterton of Jeannie Vanasco’s Things We Didn’t Talk About When I Was a Girl (Tin House Books, 2019), which appeared in Issue 18.1 as part of a special multigenre review feature on art and activism (read the entire feature here): During my first creative-nonfiction workshop, …
We are pleased to share this review by Emrys Donaldson of Genevieve Hudson’s Boys of Alabama (Liveright, 2020), which appeared in Issue 18.1 as part of a special multigenre review feature on art and activism (read the entire feature here): Here in rural Alabama, dirt in every earthbound color retains vestiges of an ancient sea …
We are pleased to share this review by Chip Livingston of Elissa Washuta’s White Magic (Tin House Books, 2021), which appeared in Issue 18.1 as part of a special multigenre review feature on art and activism (read the entire feature here): At the beginning of a magic show, a magician often invites the audience to …
We are pleased to share this review by Franny Zhang of Nafissa Thompson-Spires’s Heads of the Colored People (37Ink/Atria, 2018), which appeared in Issue 18.1 as part of a special multigenre review feature on art and activism (read the entire feature here): When writers take up topics like racial or social justice, it’s easy for …
We are pleased to share this review by Rage Hezekiah of Nate Marshall’s Finna (One World, 2020), which appeared in Issue 18.1 as part of a special multigenre review feature on art and activism (read the entire feature here). (To use the PDF embedder to see additional pages, use the arrows on the bottom left-hand …
We are pleased to share the entire review feature from Issue 18.1 on art and activism, including the following reviews: Rage Hezekiah on Nate Marshall’s Finna (One World, 2020) Franny Zhang on Nafissa Thompson-Spires’s Heads of the Colored People (37Ink/Atria, 2018) Chip Livingston on Elissa Washuta’s White Magic (Tin House Books, 2021) Emrys Donaldson on …
—Fort Knox, Kentucky, June 2002 Army Basic Training: we march and sing cadence everywhere we go. The chow hall. The motor pool of tanks. The obstacle course. Whether the march lasts two minutes or two hours, we sing, and depending on the drill sergeant, the cadence can involve anything from love of army to homesickness, …
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