(To use the PDF embedder to see all pages of the poem, use the arrows on the bottom left-hand side.) See more poems from Issue 18.2 by purchasing a copy in our online store. Digital copies only $5.
(To use the PDF embedder to see all pages of the poem, use the arrows on the bottom left-hand side.) See more poems from Issue 18.2 by purchasing a copy in our online store. Digital copies only $5.
See more poems from Issue 18.2 by purchasing a copy in our online store. Digital copies only $5. (To see the poem in its ideal orientation, use the double arrows on the top right-hand side to rotate clockwise. Arrows on the top left can also help you navigate to all pages of the poem.)
Ants push god aside, emerging from their many tunnelsin what we term a “colony” while they don’t—taking umbrage,though having the grace to keep to their purpose, concomitantwith god emergent manifold and compelled across interlinkedtunnels with those mouths out of a constellation of gravel. Over the hill, many different ant IDs cross lines of forage,and traces …
It is winter butthe poets are still coming.I once lived in atown where there were no poetsor children. The treeswere made of salt. When the windshook, nothing happenedbut daylight. There were no handssince there was nothing to take.
We are pleased to share this review by José Angel Araguz of Canisia Lubrin’s The Dyzgraphxst (McClelland & Stewart, 2020), which appeared in Issue 18.1 as part of a special multigenre review feature on art and activism (read the entire feature here). (To use the PDF embedder to see additional pages, use the arrows on …
We are pleased to share this review by Jess Jelsma Masterton of Jeannie Vanasco’s Things We Didn’t Talk About When I Was a Girl (Tin House Books, 2019), which appeared in Issue 18.1 as part of a special multigenre review feature on art and activism (read the entire feature here): During my first creative-nonfiction workshop, …
We are pleased to share this review by Emrys Donaldson of Genevieve Hudson’s Boys of Alabama (Liveright, 2020), which appeared in Issue 18.1 as part of a special multigenre review feature on art and activism (read the entire feature here): Here in rural Alabama, dirt in every earthbound color retains vestiges of an ancient sea …
We are pleased to share this review by Chip Livingston of Elissa Washuta’s White Magic (Tin House Books, 2021), which appeared in Issue 18.1 as part of a special multigenre review feature on art and activism (read the entire feature here): At the beginning of a magic show, a magician often invites the audience to …
We are pleased to share this review by Franny Zhang of Nafissa Thompson-Spires’s Heads of the Colored People (37Ink/Atria, 2018), which appeared in Issue 18.1 as part of a special multigenre review feature on art and activism (read the entire feature here): When writers take up topics like racial or social justice, it’s easy for …
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