miCRo: from “There Is News along the Ohio River” by Beth Gilstrap
Two entries from Beth Gilstrap’s series “There Is News along the Ohio River” balance survival and awe.
Read Moreby Cincinnati Review | Apr 12, 2023 | miCRo | 0
Two entries from Beth Gilstrap’s series “There Is News along the Ohio River” balance survival and awe.
Read Moreby Cincinnati Review | Mar 1, 2023 | miCRo | 0
You make a run for it when the sky goes dark, waiting out the storm in the rental car, where at least you don’t have to whisper.
Read Moreby Cincinnati Review | Sep 28, 2022 | miCRo | 0
Unable to imagine herself as the princess pining for a prince charming, the speaker of this piece looks closer and finds herself in the unconventional, the unexpected.
Read Moreby Cincinnati Review | Jun 2, 2021 | miCRo | 0
Lauren Osborn’s microfiction “Ortolan” drops us into the intersection of hunger and desire, the crossroad where they meet and become one.
Read Moreby Cincinnati Review | Apr 15, 2020 | miCRo | 0
In “Some Meaning—,” Leonora Desar tackles this conundrum, bringing both the hollowness and everything-ness of “meaning” into sharp focus.
Read Moreby Cincinnati Review | Mar 11, 2020 | miCRo | 0
Through the use of both warm and cold imagery as well as the exploration of nature, this piece builds and collapses two beings (human and beast) and two states of being (alive and dead) to explore what it means to actually live.
Read Moreby Cincinnati Review | Feb 26, 2020 | miCRo | 1
In “There Aren’t Many Predators in the Aquarium” Emily Weber pushes the central conflict to the periphery of both the scene and the narration.
Read Moreby Cincinnati Review | Feb 5, 2020 | miCRo | 1
In “Hemiboreal” Elsa Nekola draws on setting to power the story, imbuing the narrative with energy and meaning.
Read Moreby Cincinnati Review | Oct 22, 2019 | Submission Trends and Tips | 0
I came across many well-meaning flash fiction “Do and Don’t” lists all of which managed, without fail, to piss me off.
Read Moreby Cincinnati Review | Jun 26, 2019 | miCRo | 0
This juicy work of microfiction feels like the perfect tale to tell in the dark, with a flashlight under your chin.
Read Moreby Cincinnati Review | May 22, 2019 | miCRo | 0
The narrator wants us to look at her hair, at its future length and sheen, but her revelation about an old friend points us to a far darker theme.
Read Moreby Cincinnati Review | Feb 6, 2019 | miCRo | 0
Assistant Editor Jess Jelsma Masterton: Much has been written about productive ambiguity.
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