Leonard Cohen, a Greek Island, and Entering the Story
If we weren’t adults, we would call this phenomenon “play.” Maybe we should call it that again.
If we weren’t adults, we would call this phenomenon “play.” Maybe we should call it that again.
Samantha Edmonds: Voice is something one tends to hear a lot about when discussing fiction writing—“Oh, this has a great voice!” or “The voice of this piece really compelled me.” Those of us who teach may encourage our undergraduates to make better use of it—“Let your character’s voice drive the story.” But what exactly does …
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