Molly Reid: Lately, I’ve been interested in the way I—and perhaps other non-poets—read poetry. How might a fiction writer look at a poem differently than a poet? What do I seek in a good story, and how might that translate to a poem? (Do I need some kind of narrative arc? Lovely language? Image? Surprise?) …
It is an accepted paradox that the human condition is often best explored by stepping outside of our skins, and CR authors know this. Issue 12.2 is full of shape-shifting figures and warped shadows. Some of them are mythical, like Donika Ross Kelly’s men-as-trees; others are whimsical, like Leslie Entsminger’s late-wife-as-toaster or George David Clark’s …
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