Assistant Editor Molly Reid: Yxta Maya Murray’s story “YouTube Comment 2 to Video of I Like America and America Likes Me by Joseph Beuys,” forthcoming in issue 14.2, straddles forms and categories. The basic conceit—a comment on YouTube—is perhaps the one that disintegrates the easiest. This is not to say that it doesn’t do any …
As a slight change of pace from our usual “What We’re Reading” posts, CR volunteer Ben Kleier has chosen to discuss Lana Shuttleworth’s unique artwork, which we’re very excited to have in issue 14.1. Ben is a student in the UC master’s program in professional writing and has been working at the Cincinnati Art Museum …
James Ellenberger: Short poems are like potato chips: I often really enjoy the work, but am left wanting more. The best short poems seem to be able to circumvent the desire for more by engaging or evoking a world well outside of the page. In the case of haiku, the poem’s brevity isolates different cairns …
James Ellenberger: The Settlers of Catan is a resource-management game that requires each player to stake out territory on a lovely, numbered hexagonal landscape. As the game progresses, the players rely on dice rolls (both their own and those of their competitors) to restock their coffers with wool, ore, lumber, grain, and brick so they can …
Chris Collins: Susann Cokal seized me with her first sentence: “The first one is not so bad, hurts, grinding on the sticky floor with the others watching.” And what proceeds is the story of a character known to us only as “Fourteen”—a girl who’s “been a teenager for a year already”—and her brutal night of being …
Julialicia Case: I’m not much of a baseball person, or even a sports person, so when I came across Dave Mondy’s essay “And We’ll See You Tomorrow Night,” I did not expect to be swept away. After all, the piece focuses on the “Best Baseball Game,” a twelve-inning matchup between the Minnesota Twins and the Boston …
Molly Reid: Lately, I’ve been interested in the way I—and perhaps other non-poets—read poetry. How might a fiction writer look at a poem differently than a poet? What do I seek in a good story, and how might that translate to a poem? (Do I need some kind of narrative arc? Lovely language? Image? Surprise?) …
Eric Van Hoose: Ghost stories tend to hinge on the question of the ghost’s existence. Either the figment is real or it isn’t, and story’s purpose is to find the answer. But from the first moments of Leslie Entsminger’s “The Brief Second Life of Winston Whithers’s Wife,” when the spirit of Winston’s dead wife—initially haunting his …
Antechamber – Joshua Coben* The father is a dark door the son may lean against to listen for the locked room of himself, his next life. Later he will listen there for the echo of his own death. Meanwhile he becomes a dark door for someone else. It takes him years to grow so broad …
Rochelle Hurt: In music, riffing usually refers to a method of composition in which a single element (like a series of notes in a specific order) is repeated, sometimes changing slightly with each new iteration, in order to form a pattern—though riffing is often improvisational. It’s a technique common to poetry as well. For example, …
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