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Oops—We Did It Again

For the second year in a row, our weakness for slackers has won the day. Yes, we are extending the entry period for the 2015 Robert and Adele Schiff Awards by one week. Submissions will now close on Wednesday, July 22, at 11:59 p.m. EST. One poem and one prose piece (fiction or creative nonfiction) …

Contest—Last Week to Enter!

Contest—Last Week to Enter!

Only one week left to submit to The Cincinnati Review’s 2015 Robert and Adele Schiff Awards in Poetry and Prose. One poem and one prose piece (fiction or creative nonfiction) will be chosen for publication in our 2016 prize issue, and the two winners will each receive $1,000.   The entry fee of $20 includes …

Pantoum for the Rejected

Pantoum for the Rejected

Nicola Mason: Threw this together in response to contributor Michael Robins’s wry Facebook post about summer rejection season. Sensitive subject for writers, and (I can attest) for editors too. In the next few weeks we will steadily work through the hundreds of submissions that built up during our reading period so we can start with a clean slate come fall …

Hitch in Our Giddyup

Dear contest types: We’ve run into an electronic snag re the payment process for the Robert and Adele Schiff Awards. In short, if you enter and pay, then return to Sumission Manager later to check on your entry, it will appear as though your payment did not go through. Rest assured, ALL IS WELL. You’re …

Puzzle Solution

All you crossworders who didn’t quite manage to fill in the blanks, click here for the solution to last week’s puzzle (created by fiction ed Michael Griffith). Congrats to Juliana Gray for getting us her completed grid in record time! Remember, there will be a real doozy of a crossword on the last page of our …

Return to Proof Mountain

We are in the thick of a thick stack of proofs for our upcoming summer issue—335 pages thick, to be precise. Yep, it’s our second long forms issue, and we aim to have it at the printer by mid-May. In other words, time is as short as the issue is long, and it doesn’t help …

Vampires, the Interwebs, and the Voice of God: Sam Taylor on “#GodIs (2.0)”

Issue 11.2 begins with a raucous, sprawling, peripatetic feast of a poem that posits a contemporary definition of the Almighty: an omnipotent androgyne, both hilarious and terrifying, who “Says forgetabout in a New York accent,” “Reads self-help books,” and is most definitely “not going to attend your potluck.” Read on to discover the genesis of this …

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