We here in the CR office are all, in a word, short. Brian Trapp, the giant among us, tops out at three foot eight. Needless to say, we rely pretty heavily on Photoshop when posting images of ourselves. But in the spirit of those reveals where celebs appear proudly in unretouched-up photos without makeup, we …
Hey prospective subscribers or gifters of CR: we’re closing the office for the break on Thursday, so if you want an issue sent to your nearest and dearest sooner rather than later, hit our website in the next 48ish hours.
Hey, everybody, spread the word: We are actively seeking a talented illustrator for our graphic-play initiative. As followers of our blog already know, we are adapting Australian playwright Declan Greene’s Moth into a graphic novella as part of our tenth-anniversary celebration. Of course, a big part of the project is finding the right collaborator to work …
There’s a reason we can’t stop hyping our anniversary year: We’re super excited about it! Get in on the celebration by purchasing a subscription for a loved one this holiday. For just $15, you can provide your bbff (best bookish friend forever) with a year-long supply of surprise and delight, including poems, stories, reviews, visual …
Maybe it’s our age, but as our tenth-anniversary year creeps ever closer, we’re getting worse at keeping secrets. So here it is: The Cincinnati Review is proud to announce that we will, over the next few months, produce the graphic play Moth by Australian playwright Declan Greene. Moth is the story of Anime-obsessed Sebastian and emo …
The Bad: Paper cuts. Unwieldy tape guns. Sitting on the floor criss-cross applesauce for hours on end. Rapid-onset carpal tunnel. The Good: Subscribers can look for CR 10.2 to magically appear via the still sprightly and efficient United States Postal Service. The Wonderful: This issue kicks off our tenth-anniversary year and features the printed score …
Our winter issue has arrived! And in the spirit of rooting it on as it makes its way from our hands, across the field (also known as the highway system), to the goal (your reading pleasure), we . . . well, we put on face paint. Actually we intended our cross-countenance cheer to read: GO …
As Harold Bloom contends, most poets, whether they admit it or not, struggle to surpass their influences. Wordsworth arm-wrestles Milton for The Prelude. Stevens posits a secular vision of the sublime to rival Dante’s devout cosmology. And part of Shakespeare, however deep and dark, envies Ingram Frizer for stabbing Kit Marlowe in the face. Four …
Nomination season is always a heated time in our office. We are usually a friendly and collegial bunch, but when asked to select just six pieces of poetry and prose from our two hearty 2013 issues, things can get ugly. We question one another’s aesthetic judgment. We raise our voices. Dinner party invitations are rescinded. …
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