Literary News

Welcome, Chris Bachelder!

Welcome, Chris Bachelder!

The Cincinnati Review is pleased to announce that Chris Bachelder, author of Bear vs. Shark (Scribner, 2002), U.S.! (Bloomsbury, 2006), and Abbott Awaits (Yellow Shoe Fiction, 2011) will be joining the University of Cincinnati’s faculty next year. Chris has been a regular contributor to CR, with stories in issues 3.1 and 6.1. Welcome, Chris!

Staff News

Staff News

Our own Lisa Ampleman has won the latest Wick Chapbook Award for her manuscript I’ve Been Collecting This to Tell You. The judge was poet and professor Maggie Anderson, and the book will be out in spring of 2012. Three cheers for Lisa! (Assistant Editor Matt McBride is a previous Wick winner.)

Monster Mags of the Midwest at AWP

If you’ll be at AWP in DC, or even if you don’t know what that is but you’re within a two-week headlong sprint of Dupont Circle, then you should join the Monster Mags of the Midwest—Ninth Letter, Mid-American Review, and Cincinnati Review—for a fearsome night of reading, Heartland-style, with plenty of poetry, fiction, and beer …

Edith Pearlman

Edith Pearlman

We’re obviously big fans of Edith Pearlman—her story “Life Lessons” is coming out in our fall/winter issue (8.2), and you can read  her stories in several CR back issues too. So we’re happy to see that her new collection, Binocular Vision, has garnered Sunday book reviews from both the NY Times and the LA Times. Check …

Cincinnati Review on NPR

Cincinnati Review on NPR

Thanks to Richard Russo for giving a shout out to Cincinnati Review on this past weekend’s All Things Considered. Check out the interview, in which he discusses Brendan Mathews’s story “My Last Attempt to Explain to You What Happened with the Lion Tamer,” first published in our pages then reprinted in Best American Short Stories …

Winner of the Schiff Prize in Poetry

Winner of the Schiff Prize in Poetry

Don Bogen on Ashley Seitz Kramer’s Prize-Winning Poem: What I especially admire in “Winter Storyboard” is the way it builds. There’s a sense of confidence and deft control behind the rhetoric and varied syntax here, and the pacing is exquisite. With each couplet we are led deeper into a world of nature, the eccentric, and …

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