Interview with Sarah Fawn Montgomery
Sarah Fawn Montgomery discusses the use of point of view and choices about genre in her latest book, Abbreviate.
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Author: Lisa Ampleman
miCRo: “Sonnet As First Words” by Elane Kim
An internally expansive sonnet about the interplay of language, family, and country.
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On Our Copyediting Practices
Our process for copyediting pieces accepted for the magazine.
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miCRo: “Lion” by Nandini Bhattacharya
A tight and powerful piece about a lion and its violent transgressions.
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“Muddying the Gulf: On Families and Secrets” by Sadia Hassan
Sadia Hassan reviews Steven Espada Dawson’s debut poetry collection, Late to the Search Party
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Special Feature: “Eli Plays Along” by Rob Macaisa Colgate
A poem that brings together a spoken monologue, an enactment of the kinds of listening that can happen, and incredible wordplay.
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Special Feature: “A Heartbeat in a Cemetery in Tennessee” by Kimberly Reyes
Our latest special feature, a poem by Kimberly Reyes about natural interdependence, the physicality of intimacy, and cicadas.
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miCRo: “The Eco-Audiologist, After Hearing” by Haley Bossé
A meditative eco-miCRo that asks us to slow down and witness the missing.
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“Weaving a Ne(s)t for Our Ghosts” by Jennifer S. Cheng
Jennifer S. Cheng on the complicated craft of writing family secrets.
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“Let Me Whisper in Your Ear: A Craft Essay” by Shara Lessley
Shara Lessley on the craft of writing about family secrets in literary nonfiction
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