Andy Sia
Andy Sia | April 9, 2025 | miCRo
Michael O’Ryan’s cinematographic poem is imbued with a sibyllic mood.
Andy Sia | March 12, 2025 | miCRo
Cassandra Whitaker’s epithalamium is a breathless wreath of anticipation, retrospection and contemplation.
Andy Sia | February 28, 2025 | On Craft
Assistant Editor Andy Sia on reading surfaces and reading as an embodied act.
Andy Sia | February 19, 2025 | miCRo
In B. Do’s moving piece, revision is not merely a means to an end; rather, there is a truth in and an ethical weight to the act of revision itself.
Andy Sia | January 29, 2025 | miCRo
Babak Lakghomi’s “Fight” considers the reverberations of violence across space and time.
Andy Sia | December 11, 2024 | miCRo
In Alex Wells Shapiro’s “a buck,” the voice confronts death, specifically the material reality and circumstances of death.
Andy Sia | November 20, 2024 | miCRo
In Daniel Fraser’s “Honey?” the house is uneasily animate, changing with its inhabitants and, indeed, changing its inhabitants.
Andy Sia | October 29, 2024 | Emerging Writers
The first in our new series of features on emerging writers.
Andy Sia | October 25, 2024 | Interviews
Rebecca Lindenberg on list poems, disability and time, and the sentence.
Andy Sia | October 9, 2024 | miCRo
In Esmé Kaplan-Kinsey’s retelling of Lewis Carroll’s “Jabberwocky”, the slaying of the Jabberwock is called into question.