Andy Sia

In Robert Warf’s “Push-Pull,” driving yields a kind of oppositional syntax.

Michael O’Ryan’s cinematographic poem is imbued with a sibyllic mood.

Cassandra Whitaker’s epithalamium is a breathless wreath of anticipation, retrospection and contemplation.

In B. Do’s moving piece, revision is not merely a means to an end; rather, there is a truth in and an ethical weight to the act of revision itself.

Babak Lakghomi’s “Fight” considers the reverberations of violence across space and time.