Andy Sia

In Robert Warf’s “Push-Pull,” driving yields a kind of oppositional syntax.

Michael O’Ryan’s cinematographic poem is imbued with a sibyllic mood.

Cassandra Whitaker’s epithalamium is a breathless wreath of anticipation, retrospection and contemplation.

In B. Do’s moving piece, revision is not merely a means to an end; rather, there is a truth in and an ethical weight to the act of revision itself.

Babak Lakghomi’s “Fight” considers the reverberations of violence across space and time.

In Alex Wells Shapiro’s “a buck,” the voice confronts death, specifically the material reality and circumstances of death.

In Daniel Fraser’s “Honey?” the house is uneasily animate, changing with its inhabitants and, indeed, changing its inhabitants.