Through erasure of Alice Dunbar-Nelson’s “Sonnet,” footnotes, and white space, “Black Womxn Are Violets” by Johnson-Boria creates a complex portrait of Black womxnhood.
We are pleased to share this review by José Angel Araguz of Canisia Lubrin’s The Dyzgraphxst (McClelland & Stewart, 2020), which appeared in Issue 18.1 as part of a special multigenre review feature on art and activism (read the entire feature here). (To use the PDF embedder to see additional pages, use the arrows on …
We are pleased to share this review by Jess Jelsma Masterton of Jeannie Vanasco’s Things We Didn’t Talk About When I Was a Girl (Tin House Books, 2019), which appeared in Issue 18.1 as part of a special multigenre review feature on art and activism (read the entire feature here): During my first creative-nonfiction workshop, …
We are pleased to share this review by Emrys Donaldson of Genevieve Hudson’s Boys of Alabama (Liveright, 2020), which appeared in Issue 18.1 as part of a special multigenre review feature on art and activism (read the entire feature here): Here in rural Alabama, dirt in every earthbound color retains vestiges of an ancient sea …
We are pleased to share this review by Chip Livingston of Elissa Washuta’s White Magic (Tin House Books, 2021), which appeared in Issue 18.1 as part of a special multigenre review feature on art and activism (read the entire feature here): At the beginning of a magic show, a magician often invites the audience to …
We are pleased to share this review by Franny Zhang of Nafissa Thompson-Spires’s Heads of the Colored People (37Ink/Atria, 2018), which appeared in Issue 18.1 as part of a special multigenre review feature on art and activism (read the entire feature here): When writers take up topics like racial or social justice, it’s easy for …
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