In the prose poem “34D,” Dorothy Chan uses a number and a letter to conjure up particular images that the poem both mentions and undercuts, in a statement about the poetics of sex.
Congratulations to our contributors Aleyna Rentz and Wendy Cheng, whose work has been chosen for the Pushcart Prize anthology and Best Spiritual Literature (formerly The Orison Anthology)! We’re thrilled for them and looking forward to reading the collections.
In two pieces that feature mothers with dementia, Beth Ann Fennelly shows us again why her work is central to contemporary enthusiasm for the form of the microessay.
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