Cincinnati Review

This prose poem name-drops brands in a way that seems to extol consumer spending—until a final turn.

In this story told in the imperative second-person point of view, reading is literally ingesting words and images.

This poem from KB Brookins’s forthcoming collection bridges the genres of love poem and political poem.

Stefanie Kirby’s extended exploration of the uterus complicates our sense of a part of the body often linked just to reproduction.

The brief moment captured in “Mirror” reveals time in all its dimensions and reversals.