Welcome back to another dynamic performance of our double-interview feature Pax de Deux, this time between fiction writers and 11.1 contributors Joan Leegant and Leslie Parry (about whose story “Vogelsong” Brenda Peynado wrote a glowing appreciation last week). Scroll down to view the entrée of this two-part duet, in which the dancers brisé across such …
We’ve just finished proofing the winter issue, which boasts—in addition to the usual singing signatures—a hundred extra pages. It’s the first of two issues devoted to long forms (thanks, NEA!), which of course makes it special, but what struck us most when reading over this winter’s ample offerings was their range—an especially appropriate word as …
As writers, we’re often asked about what inspired a piece, what outside stimulus provided the germ, the grist, or the spark for a first draft. Even the word inspiration, from the Latin inspīrār (to blow or breathe into), implies an agency without rather than within the artist, as if we were nothing more than receptacles for …
Illustrator Gabe Ostley, in collaboration with playwright Declan Greene, has made us a tenth-birthday present, and we’re sharing it, free with our next issue, with all of our subscribers. Check out Ostley’s process in hyper-speed below.
A self-proclaimed tech-geek and amateur dog-trainer, new volunteer and first-year PhD student in fiction Brenda Peynado has a talent for incorporating her disparate interests into conversations at the CR office. A discussion about the midterm elections or streamlining our contact database can lead Brenda into an analysis of the male catcall in the Dominican Republic …
And now for Part Deux of the exchange between Carl Phillips—on his poem “Hold Tight”—and Bruce Snider—on “Creation Myth”—both published in CR 11.1. Happy reading! Carl Phillips: Your poem works largely by juxtaposition, the largeness of an Indiana dusk, next to the specificity of Aunt Bev’s crocheted oven mitt, moths beside meth labs, a lynching …
One of the million cool things about making a magazine is putting various works in conversation with each other. No poem is an island, after all. Or, if a poem is an island, then CR, and poetry in general, really, is an archipelago. And like the flora and fauna that travel from one discrete landmass to …
Comic artiste Gabe Ostley is back with another behind-the-panels look at our upcoming graphic play, Moth. Remember—if you’re a subscriber, we’re simply going to mail it to you with our winter issue. No additional moolah required!
Welcome back to the CR dance-party the hipster kids are calling Pas de Deux, our two-part interview exchange between recent contributors. In this encounter, Bruce Snider asks fellow poet and 11.1 contributor Carl Phillips how his poem “Hold Tight” transitioned from a squiggle on a bev-nap to the polished tour de force we’re proud to …
Volunteer Daniel (“Dan”) Groves comes from a long line of Groveses. His father was a Groves, his father’s father was a Groves, his father’s father’s father was a Groves. Naturally, when Dan writes last name, he scribbles “Groves,” but don’t be fooled. On the day he was born, the hospital intern responsible for typing out …
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