Kathryn McMahon

Boom

Boom

Associate Editor James Ellenberger: “Boom” reads like a vivisection of a Studio Ghibli film. It’s magical, beautifully rendered, and haunting. What strikes me the most is the piece’s aural effect: McMahon layers vowels (“Now it looms, quiet, as water should be”) in a manner that’s reminiscent of waves overlapping and erasing themselves. The alliterative movements, of …

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