The Last Lyric

3 Minutes Read Time

A Gulmohar tree; a thin tree with bright, red-orange flowers on its branches and no leaves
Photo by Joydeep Sensarma on Unsplash
The lyric fell from the Gulmohar	      branches soaring above the dry 
courtyard, floating right into my waiting mouth, upended

and hungry like a wicketkeeper’s sticky glove. The lyric didn’t possess
the flesh of fruit or ball; it defied resemblance

to anything that came sealed with the legacy of gravity.
Slimy yet firm, a prelude to skin, in another world it was,

perhaps, a blinking tongue, zealous and warm. I slipped
it into my pocket; when I took it out, it had hardened

into a locket, and before you knew, I had exchanged it at Asia’s largest
open trade fair, at the swollen banks of Mahanadi,

for a certificate of excellence that had my name spelled
the way I wanted it to be—without vowels, I swear I could

have been a spy. That certificate I used to satisfy the unique eligibility
criteria to participate in a hoopla competition where my

shockingly accurate throws helped me win a pair of imitation anklets
to tie around your beloved feet—this gesture of romantic

munificence I believed would steel my body for the imminent
coup, an underground revolution against cheap wine

and incorrect predictions of football pundits on Sunday television,
two pie radians looking at us in the eye—the optometrist didn’t

prescribe glasses for peripheral vision. When I missed you, I wished
my kitchen was dirty and my bedsheets clean. At your side,

the whodunits and season finales—cliffhangers served spicy hot,
already salted to thy taste. When the commentators sounded

like opera singers during the final moments of a grandstand
finish, your fingers rolled over my bracelet of Pondicherry

ashram beads—will you find again those silent minutes to teach me
resonance? Wherever you are now—to see the galaxy of stars

trapped in your profuse body, position yourself in a corner and look across
the diagonal to the other corner: the universe in every room

lies open like a diamond flattened to achieve the kind
of capaciousness that lends merit to such audacity.

The diamond I have trusted always, given my confusion
with spades and clubs—is there a drug for this condition

of predisposition? The water I drink is the water I flush and my throat
in the middle, a restless conduit swanning in the rinse

of dirty atomic red: how will you stitch if there is no wound
to treat? Against which tissue shall you press your healing

touch? Living grows invisible on tooth and nail. Remember the library
by the museum? Languishing there on a dusty rack beside stacks

of old Filmfares, National Geographics and Scientific Americans is a book
of poems I wish I had written. Someone has scribbled

I want to love on the back of its front cover.
Thumbing through, I find most of the pages are torn.

Read more from Issue 18.2.

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