Guest Literary Nonfiction Editor David Lazar: Allison Field Bell’s “Body Essay” is, indeed, greater than the sum of its parts. This self-forensic, tonally muted work, is a Cartesian revision: We are corporeal, and therefore think about how every inch of us, each discrete part, conjoins body memory along with the memory of our bodies’ pleasures and …
To accompany our fall 2024 issue (21.2), we have curated a folio on writing about sex (reviews and craft essays) after noticing that several pieces in the print issue include sex, especially the play excerpt by Gloria Oladipo, John Fulton’s story “Emily Leaves Switzerland,” Karolina Letunova’s story “Turn Your Back to the Forest,” and poems …
To accompany our fall 2024 issue (21.2), we have curated a folio on writing about sex (reviews and craft essays) after noticing that several pieces in the print issue include sex, especially the play excerpt by Gloria Oladipo, John Fulton’s story “Emily Leaves Switzerland,” Karolina Letunova’s story “Turn Your Back to the Forest,” and poems …
To accompany our fall 2024 issue (21.2), we have curated a folio on writing about sex (reviews and craft essays) after noticing that several pieces in the print issue include sex, especially the play excerpt by Gloria Oladipo, John Fulton’s story “Emily Leaves Switzerland,” Karolina Letunova’s story “Turn Your Back to the Forest,” and poems …
To accompany our fall 2024 issue (21.2), we have curated a folio on writing about sex (reviews and craft essays) after noticing that several pieces in the print issue include sex, especially the play excerpt by Gloria Oladipo, John Fulton’s story “Emily Leaves Switzerland,” Karolina Letunova’s story “Turn Your Back to the Forest,” and poems …
To accompany our fall 2024 issue (21.2), we have curated a folio on writing about sex (reviews and craft essays) after noticing that several pieces in the print issue include sex, especially the play excerpt by Gloria Oladipo, John Fulton’s story “Emily Leaves Switzerland,” Karolina Letunova’s story “Turn Your Back to the Forest,” and poems …
To accompany our fall 2025 issue (22.2), we have curated a craft folio on horror, the uncanny, and/or the strange, after noticing that several pieces in the print issue include that theme. Here is Jen Fawkes’s piece. A Good Man Is Hard to Find and Other Stories. Flannery O’Connor. Harcourt, Brace and Company, 1955. Reprint, …
To accompany our fall 2025 issue (22.2), we have curated a craft folio on horror, the uncanny, and/or the strange, after noticing that several pieces in the print issue include that theme. Here is Richard Scott Larson’s piece. My Corpse Inside. Wes Jamison. University of Georgia Press, 2025. 186 pp. $27.95 (paper) A blurry human …
To accompany our fall 2025 issue (22.2), we have curated a craft folio on horror, the uncanny, and/or the strange, after noticing that several pieces in the print issue include that theme. Here is Ginger Ko’s piece. Vague Predictions and Prophecies. Daisuke Shen. Clash Books, 2024. 248 pp. $18.95 (paper) “Duckling,” a short story from …
To accompany our fall 2025 issue (22.2), we have curated a craft folio on horror, the uncanny, and/or the strange, after noticing that several pieces in the print issue include that theme. Here is Raul Palma’s piece. As storytellers, we tend to place a lot of stock in world-building. We sketch out societies, bureaucracies, and …
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