Ode to the Estate ETQ4400XQ

3 Minutes Read Time

A pile of white fabrics topped with a yellow rubber duck sits in the reflective silver basin of a washing machine.
Photo by Pavol Tančibok on Unsplash

Listen to Matt Del Busto read the poem:

The Cincinnati Review · Ode to the Estate ETQ4400XQ by Matt Del Busto

after Robert Wood Lynn

Not long after dinner’s beginning at the 
duplex we’ll live in for four more
weeks on West Middle, where it is
mealtime pretty much all the time, our Estate
ETQ4400XQ washer, a machine whose only job

is to do the dirty work of cleaning that
which can’t yet be re-worn, finds itself pressed
into service even now, a Sunday night,
because our son, despite all the good news
of children (the alarm-clock feature

he, like all babies,
are born with, the eternal roundness
of his cheeks, and his refreshing
emotional transparency), shat straight through
his diaper, up his back, soaked

his onesie, and stained the cloth of his BabyBjörn
a daring shade of mustard yellow.
And, yes, this cloth—now pilling—is the same
cloth we’d washed the previous day, and by now
I must admit, every surface in this brown

house has had or will soon
have traces of his excrement—the yellow,
seedy stuff of breastfed champions globally—
and be assured, dear reader, it is everywhere:
atop the busted dryer where we set

soiled clothes before washing, flecks of it
dotting the carpet, the hamper,
a whole stripe of it across the car seat every
other week. My wife, who thinks it
smells sweet (sweet like bad

fruit—freaky mango pulp clinging
to a blender’s dirty blade), has smelled it
emanating from our kitchen sink,
where the desoiling process often
begins, before it makes its way to the laundry room,

and here, we have no one
to thank more than you, Estate ETQ4400XQ,
our heavy-duty top-load hero, consistent
as sunup, each of your eight
cycles just a twist and a click away,

so thank goodness your favorite button
is ON, and blessed be your
swish-churn magic, Mr. Estate—can I call you
mister? Master of the good and
holy work of taking our shit, our literal

shit, and making of it soft cotton and clean
so frequently because, listen, when he’s in that seat
touted for safety, its tangle of straps a kind
of weird girdle, the poop—always warm, often
pasty—it can’t go anywhere

but up. And after cleaning, it lingers
under fingernails and the miscellaneous folds
of each thigh, the possibility of more
always in the corner of my vision. The omnipresent
question: Is that . . . ? but no, it’s just the smooth

peel of a discarded banana, a squeeze of Dijon,
a slice of za. It’s just highlighter, pen ink,
the rare wooden pencil
speechless in the bottom drawer
until picked up. I just might know

how you’ve felt, Mr. Estate, and for months:
your white husk chilly through the
midnight hour, your water mindless mist
until the advent of fabric. I’ve been there,
now. I’ve seen it. These hands

are just my hands until I hold
my son.

Read more from Issue 22.2.

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