First, Byzantium

2 Minutes Read Time

The stone arches and columns lit by yellow lighting of The Basilica Cistern in Istanbul, Turkey.
Photo by Zeki Okur on Unsplash
                                                                   then, some tablets

some theft

some Gimme that some Yeah

Some records of disbursement: a dead ram

Then a head of a woman
a head of a man some crowns of acanthus leaves and apples

Everyone with perfectly drilled pupils

Some familiars and some half-gods whose
errant descendants perform a series of labors
in atonement

First the serpent
then the lion and the deer
then a legit monster
in Palmyrene marble

Then forgiveness
and fertility
and perfumery
and the lapis lazuli

Then Romans took the statues and the gods
Then Christians took the statues and the gods
And then Rejoice! in the symmetry
of godliness giving birth to foliate capitals
everywhere

The inheritors pass down

their limestone debts trade hematite for
styrene contact lenses
nonoxynol-9 smooth caramel fillings
a new embrace of old gender-fluid
footwear Togas are back, baby!
everyone screams out of the rubble

Then the confusing autocorrect
the dissatisfied statesmen
the plate glass tectonics
the sulfur superplumes
the vape the floods the dance of ages
the assurances the aping the echo
the Please
the No
the Not that
then and then again
the sharp promises upending
the kingdom the animals
entering the melt the upsides
down the bailing out the begging in
then and then and only then

The Antarcticans the families in paper vessels
the longed for and the longing
everyone out and out and outermost everyman their own
fisherman but the fish the fishing the men the nets
everyone then everyone at sea

Written in response to several works from the Saint Louis Art Museum’s ancient collection

Read more from Issue 20.1.

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