grew up in Omaha, Nebraska and received his MFA from Purdue University. His poetry has appeared previously in The Cincinnati Review, Ninth Letter, Massachusetts Review, and Best New Poets 2019, among others. His first collection, World’s Largest Ball of Paint, is the winner of the 2022 St. Lawrence Book Award from Black Lawrence Press.
Elegy with Rotting Pumpkin & Mick Jagger
3 Minutes Read Time

Those final years before I left Nebraska, my mother spent
all day sleeping in a green armchair, or standing on the wood
deck, looking out over the retreating tree line, scanning
for a cardinal, a possum. The swaying figure of my father came
& went as he pleased, & I felt then that something was wrong,
something I wouldn’t come to know until years later
when I lived alone for the first time. Afternoons
I sat & wrapped twine around the pink legs of a bird so
they wouldn’t splay in the oven’s heat. It made sense then
never to come home. That winter I stood naked
over the iron grates on the floor as the heat blew & watched
the snow cover the steps leading to the wood slats
of my front porch. Sometimes there’s nothing I can do
to stop myself from hating the man in the auto-parts store
who doubts I can change a headlight on my own,
then I hate him more when I walk back from the rain
to ask for his help. I used to go to parties at night,
have my drinks, talk to people. After I walked home alone
I’d watch the Rolling Stones play their sold-out show
in Tempe, Arizona, 1981. Before the first chord hits,
Mick Jagger points out & asks, Are you feelin’ gooooood?
& I’d stand in my living room, wearing only my socks,
& try to imitate his hips & his lips, singing along, Well, ain’t I
tough enough, come on baby please. The morning would show,
& I would wake & work the kitchen. At the woodfire oven
in the forest of the Florida panhandle, now & then I’d lose
a blob of cheese from a lasagna pan, & as it hit the oven’s stone
floor, I smelled first the melt, then the char. I wander house
to house, room to room, looking in the desk drawers
of strangers, each medicine cabinet a little different from any
other, that quiet noise a doorknob makes when the lock is set.
In a small room my grandfather commanded glass to shape
& soldered together lollipop reds & jay blues, the stained shards
becoming finch or monarch butterfly, the desk lamp
covered with a canvas sheet to simulate the sun’s soft light
playing on each suncatcher strung with fishing line from the exposed
wooden beams. Nine blocks from his home I worked
at the Pepsi bottling plant in summers during high school,
the warehouse floor sticking to shoes with each step, & my hands
in those days smelling always like syrup. When my grandfather
died, my grandmother closed that workshop door
& never opened it again. Twelve years later, after the flood,
the hinges swung open to a room of broken glass.
The buffalo grass already turned brown in the cold,
another dark sky moving across that North Dakota town.
On my porch a pumpkin rots, its dull ocher echoing
that Christmas sky ten years ago when I walked the white
street home, each footprint behind me filling in. It’s past
eleven & I should be asleep, but on the stove is a pot of apples
& oranges, cinnamon sticks & star anise.
Read more from Issue 17.1.
