Drone Series

2 Minutes Read Time

A photo of a colorful red, green, blue, and yellow plane, suspended by some fish line and casting a shadow on the floor.
Stealth, 2016 enamel paint on plastic

Artist’s Statement

My primary interests include traditional folk-art forms, the politics of war, and artificial intelligence, as well as its implications within modern warfare. Drone series is inspired by my visit to Pakistan in 2011, and it involves two distinct yet contrasting visual elements: colorful and bright symbols and unmanned aerial vehicles (UAVs), aka drones. I create formal paintings that depict contradictions and irony within their pictorial coding. Starting from a silhouette of a UAV, I paint colorful folk “truck-art” imagery on these war machines to give them a second skin that opens a dialogue about present-day Pakistani culture.

These paintings are accompanied by culturally loaded text. Poetic expressions in combination with stark iconography give birth to a new visual language. In this process, I hope to make the foreign and distant appear familiar and intimate. My aesthetic practice defines new ways to disclose the unseen and unsaid of contemporary US global state violence. By applying photo-transferred images from Pakistani print media and layering them with traditional miniature painting, I challenge the grotesque reality of modern warfare.

More recently, I am creating installations that interact with the space and the viewer. I am interested in the juxtaposition of terror with the representation of cultural beauty.

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Tea-stained paper with the shape of a large plane on it. The plane is made up of many patterns, including two blue eyes on medium skin, black diamonds on green backgrounds, the symbol for Islam, and two, yellow pistols.
MQ-9/5, 2013 gouache and tea stain on paper, 24 in. x 12 in.
Tea-stained paper with the shape of a large plane on it. The plane is made up of many patterns, including a yellow skull-and-crossbones with a red diamond on its forehead, orange flowers, and black stripes. The plane is surrounded in a large rectangle of gold leaf;.
MQ-9/2, 2011 gouache, tea stain, and gold leaf on paper, 8 in. x 28 in.
Various names inscribed in black on the marble floor of a building. The names are Naila, Kamran, Waliullah, Zaheeruddin, Muzammal Khan, Zhinumullah Khan, Muzammel Khan, Mohammed, Mohammed Tahir, and Sher Hayat Khan.
Naming the Dead, 2018 mixed-media installation with sound
A corner of birch plywood hung up on a wall. Photo-transferred onto the plywood is a colorful plane flying through a black and white city, crowded with buildings and powerlines.
By the Moonlight, 2013 gouache, tea stain, and photo-transfers on birch plywood, 12.5 in. x 25 in. x 8 in.
The shape of a rhombus with two parallelograms sticking out from it, completely covered in blue, red, and yellow patterns.
X-47B, 2012 gouache on paper, 16 in. x 16 in.
The shape of a large plane on a white sheet of paper. Half of the plane is made of colorful patterns of yellow, blue, red, and green, while the other half is completely black.
Untitled, 2015 gouache on paper, 15 in. x 20 in.
A photo of a colorful red, green, blue, and yellow plane, suspended by some fish line and casting a shadow on the floor.
Stealth, 2016 enamel paint on plastic
The shape of a large plane on a sheet of handmade paper. The plane is covered in my different patterns, including a yellow bird, two blue eyes, and blue-and-yellow stripes.
MQ-9 Reaper, 2011 gouache on handmade paper, 8 in. x 21 in.
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